INTRA CHATHAM

Chatham Intra Highstreet Action Zone (CIHAZ)

Research concerning the future of Chatham Intra led by the

Kent School of Architecture and Planning, University of Kent

In association with Medway Council and Historic England

KSAP MArch Unit-1 (2021-22)

From the establishment of Watling Street by the Romans, between London and Canterbury, Chatham Intra has been on the main road to somewhere. The Gregorian Mission of 595AD, saw St Augustine re-introduce Christianity to England, and to establish Canterbury as its hub, Augustine himself becoming its first Archbishop in 597 AD. By 604 AD there were Roman Bishops in London and Rochester too. However, it was the martyrdom of the 41st Archbishop of Canterbury, St. Thomas a Becket, in 1170, that established the act of journeying to Canterbury, as an act of ‘Pilgrimage’. Domestic Pilgrims journeyed to Canterbury predominantly from Winchester, via the North Downs Pilgrims Way, or from London, via Rochester, and Intra, along Watling Street – today the old A2 (and still Chatham High Street). The 1538 Dissolution of the Monasteries by Henry VIII, and the destruction of Becket’s tomb, could be said to have ended religious pilgrimage, but the tourism legacy continues to this day.

Chaucer’s Canterbury Tales published circa 1400 tells the fictionalised account of a group of pilgrims who journey from London to Canterbury (and back) and undertake a story-telling contest to amuse themselves, with the prize being a free meal at the Tabard Inn, London, on their return. Each of 24 Tales take the form of a ‘Framed Tale’; a new story told within the frame of the broader story of the Pilgrims’ journey. Framed tales were a feature of Chaucer’s era, and continue to recur in literature, for example in flashback tropes, non- linear narratives, and have been used to develop concepts of ‘unreliable narrators’ that have seen a contemporary resurgence in literature and film. Chaucer’s Tales are believed to be incomplete, and there is debate about which sequence they should occur in – making mapping them to physical locations conjectural. There is however broad agreement on groupings of Tales forming ‘Fragments’. Chaucer’s Tales combine storytellers from a breadth of society, social strata, vocations, professions and trades, together with a diversity of motivations that straddle ethical and moral boundaries. The structure of storytelling sometimes seeks to undermine traditional hierarchy and the framed tales are often moral, apocryphal, and sometimes downright naughty. However, they all reflect the human condition, both of their time (and context of production), and arguably our time too. Literary scholars also discuss Chaucer’s Tales in terms of concepts of ‘Liminality’ – that is as having both the above structural configuration, but also having the capacity to be interpreted spatially: A liminal space, which can be both geographical as well as metaphorical or spiritual, is the transitional or transformational space between a “real” (secure, known, limited) world and an unknown or imaginary space of both risk and possibility.

INTRA_00 Witness Marks

Work by George James


Definition . noun (pl) – in this context are a series of marks made on an object as an unintentional consequence of some other action or activity, usually in immediate, or close, proximity. A form of mechanical damage or ‘Trace Evidence’ that ‘bears witness’ to the nature of the cause. In minor form these might be described as ‘Patina’.


Orthograhpic Survey drawing by Alex Grice

In Four Exercices 

 1) Base - Acquire a ‘Base’. Approx. A5 paper-size (doesn’t need to be exact) or smaller if necessary. It needs to have a depth, say minimum 25mm thickness, and be rigid. It could be foam, laminated cardboard, wood, plaster of Paris, wax etc., or a brick or half a large potato would do! 

2) Abrasion – Perform an act of abrasion (abrade) on your Base. Essentially reduce its size by applying a friction force. You could tear at it, pick at it, rub it (frottage) with sandpaper, stone, possibly chisel it, use a carpenter’s plain, knife, if your VERY careful even char (burn) it if it were wood. Work in one single activity, intuitively, work in from one long edge, reducing both the width and depth somewhat. Depending on your choice of material, you might expose a grain pattern of strata. This is a subtractive exercise.

3) Consequence – Create a series or collection of witness marks in/on to your base as a consequence of an action you performed to another object. Method, type, location, alignment, inclination, thickness, depth, separation, and quantity at your discretion. You might use a pen, adhesive tape, paint brush, spray can, a knife, saw, drill etc. As these are consequential, they will be too a small degree at least possibly random or unanticipated. You will use your abraded base as a rest for this exercise, take note if this has some influence on this activity. This is a subtractive exercise.

4) Intension – Finally now make between two (minimum) and five (maximum) intentional interventions. These could be additive or subtractive, two of them must be continuous so as to cross the Base and touch two of its sides in the X and/or Y axes. These two could be additive, subtractive, or a combination along their length. Other intention gestures (3-5) are optional, can be more localised, perhaps a subtractive ‘bite’ or notch taken out of the base at its edge? Or a 2D topically applied treatment (paint?), or the addition of an object that is incised into or suspended above the base? If they have a Z axis component (a height), they must also have both a X & Y component too (thar is, they have to have an implication ‘in plan’) – at least at some height on the Z axis (a 3D presence –think postage stamp in pins, or a solid block of foam etc). Materials, location, means of attachment (interference-fit, chemical, mechanical), dimensions at your discretion.

MArch Unit-1 Review

June 2022

Kent School of Architecture & Planning

End of Year Show 2022/23

June 2022

Kent School of Architecture & Planning

Sun Pier House Exhibition

September 2022

Sun Pier House, Chatham, Medway